Anora Is a Glorious Strip-Club Fairytale With a Generous Spirit

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The Florida Project director Sean Baker's whirlwind romantic adventure—his best movie yet—is playful yet emotionally fine-grained.

ne of Sean Baker’s gifts as a filmmaker is that he makes us feel like insiders even in worlds that are likely to be unfamiliar to most of us. Sex workers who look after one another with fierce loyalty become our friends, too. Kids making their own scrappy magic while living in a budget motel on the edge of Walt Disney World ignite our imaginations as well, reminding us what it was like to conjure fun out of nothing, especially when our parents were off doing other things.

He asks Ani if she “works outside the club.” Next thing you know, decked out in heels and a stretchy dress, she’s at the door of the retro-futuristic Brighton Beach mansionette owned by Ivan’s absentee parents. After she’s let in by the guard, she buzzes at the front door—Ivan slides along the highly polished living-room floor in his socks,-style, to answer. They make genial small talk; Ani is the one who has to push the action along.

Baker allows us to relish this romance of gamboling youth—its high point is an impulsive Las Vegas marriage, a betrothal of two kids at play—for a generous chunk of the movie. Then he switches everything around, and the story shifts into glorious, spin-art chaos.

And like Demme, he’s wonderful with his actors. Ivan’s character is one of those spoiled rich kids who sets off warning bells that we willfully ignore. That’s because, as Eydelshteyn plays him, he still hasn’t crossed the line from ingenuous innocence to pure, manipulative calculation; he’s like a junior Czechoslovakian Playboy. Borisov’s Igor works gentle, simmering magic in every scene.

Madison is simply wonderful. Every year at Cannes there’s one actress who captivates a broad swath of the audience, and this year, that performer seems to be Madison. She plays Ani as a woman in charge, so capable you don’t worry about her one bit. And then you start to catch glimmers of her vulnerability, of her embarrassment at having yielded to a false dream. Her spontaneous, resilient smile gives way to something that looks like worry, and it’s wrenching.

 

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