who, in a moment of deep grief and remembrance, utters the line, “My pussy still hurts when I think of you” — which, to be fair, sounds a lot more poetic in Spanish. She believes her husband, a major drug lord for thecartel, had been murdered. This is not true. Rather, her spouse has faked their death so they could transition to being a woman, and is now Emilia Pérez, who runs a charity dedicated to locating victims of the drug wars.
Under the guise of “Aunt Emilia,” Pérez doesn’t just return to the familial fold. She becomes a far better parent to her sons, especially now that she’s no longer burdening them — or being burdened by — stifling codes of masculinity. Manitas’ widow, Jessi , doesn’t suspect a thing. Nor does she think that Aunt Emilia will mind if she remarries her dodgy boyfriend and moves the kids to another town. Ms. Pérez is not happy with this turn of events.
Belgian choreographer Damien Jalet and the composing duo of Clément Ducol and Camille comes up with numbers that bring a stream of tears to your eyes and others that will bring your jaw to the floor . Musical numbers that might have been culled from a “Worst of Broadway” compilation sit next to heartbreaking ballads and lyrically savvy show tunes.
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