of if she would ever make music without her brother, Finneas. Sitting onstage looking out at an audience of thousands, she put her thoughts plainly: “If Finneas ever doesn’t want to make music with me anymore, I just won’t make music anymore.” You could chalk up her response to their incredibly close sibling bond, which the 2021 documentary,, depicted in vivid 4k.
You can hear it on opener “Skinny,” a classic Billie ballad ruminating on growing up and celebrity. They’re themes we’ve heard before on “Getting Older” and “my future,” but have been enhanced by a stunning orchestral outro that fills in the gaps of what her lyrics leave out. Immediate standout “Chihiro,” about a tormented, lost connection, morphs cleverly from chill lounge funk into an urgent, strobe-lit banger.
I say all of this not to create some sort of imaginary competition between the face of the music and its producer, but to point out a vital part of their continued success. At this point, the Billie Eilish project is more akin to a band than the efforts of just one person; Eilish won’t, and shouldn’t, work with anyone else because Finneas is as integral to the music as she is — a point that this record proves, hard.
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