took 41 years to make. It might take as long to understand. Coppola’s magnum opus, which premiered in competition at the Cannes Film Festival last night, is a movie of extraordinary highs and baffling lows, alternately dazzling and confounding. Sometimes, in the same moment, it’s both.
Now for the loopy summary. Adam Driver stars as Cesar Catilina, a visionary architect who is equal parts Robert Moses and’s Howard Roark. After inventing a revolutionary new building material called Megalon, he plans to rebuild the city of New Rome—essentially a version of Manhattan frozen in the 1930s—according to a utopian template, and doesn’t seem particularly concerned about how many presently occupied buildings he has to demolish to make room for it.
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