In the face of the criticism, controversy and uncertain financial prospects swirling around his self-financed speculative epic “Megalopolis,” Francis Ford Coppola met the press at the Cannes Film Festival on Friday with a good-natured shrug. “I don’t care. I never cared,” Coppola said when asked about the reported $120 million fortune he sunk into the film. ““The money doesn’t matter. What’s important are friends.
Perhaps the most highly anticipated film of the entire festival, 'Megalopolis' came into Cannes with a back story worthy of, well, 'Megalopolis.' Its cost partially defrayed by the sale of several of his wine businesses, Coppola's allegorical drama, littered with allusions to Sappho and 'Entertainment Tonight,' John Wilkes Booth and Elvis, emerged to criticism as soon as it screen for buyers in March.
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