‘Back to Black’: Amy Winehouse’s Biopic Is Seriously Out of Tune

could have been any young woman growing up in 1990s London — palling around with her mates, sneaking lagers, shagging dudes, getting into trouble, getting her nose pierced, and getting expelled from drama school for it. Until she opened her mouth, at which point she seemingly became possessed by a 1940s jazz chanteuse channeling centuries-old lust and sorrow.

kicked off a new gold rush of gold-record artists’ success stories, taking generic concert sequences and recording-booth epiphanies to task for being cliché has become the de facto criticism for the genre. When it come toyou’d kill to have more sequences of our faux-Winehouse onstage, tearing into more tunes, to balance out the indistinguishable paparazzi attacks and stock miserablism.

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