Roger Corman Was the Low-Budget Filmmaker Who Remade Hollywood

Roger Corman never made a great movie. None of his films won awards, and they rarely got good reviews, when they were reviewed at all.. He made horror movies, westerns, sci fi—name a genre, especially a genre that filled out the bottom of a double bill at the drive-in, and Corman probably made a movie in it.

Corman was one of the last major moviemakers who almost stumbled into a job in the movie business. The generations that followed him, whose members he was so instrumental in hiring and giving a chance in the industry, were very often film school graduates like Coppola or curators at museum film programs like Bogdanovich. When Corman started out, film schools were scarce, when they existed at all.

“Every idea I submitted was considered too strange, too weird; every idea they had seemed too ordinary to me. Ordinary pictures don’t make money.”And with that, the pattern was set for the rest of Corman’s life: Make a movie, plow the proceeds into the next one, and just keep going. His budgets were tiny, and the shooting schedules for his movies were measured in days, not weeks or months—he shotin two days and change.

Corman didn’t expect anyone to stick around. As he told Ron Howard when he let him co-write and directIn 1970 Corman and his brother founded New World Pictures, a lucrative production company that made a string of movies like, all successful B movies that launched the careers of soon to be Hollywood A-listers like Joe Dante, Curtis Hanson, and Pam Grier.

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