In new movie ‘La Chimera’, Josh O’Connor’s suit tells a story of its own

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Zoe Whitfield is a London-based writer whose work spans contemporary culture, fashion, art and photography. She has written extensively for international titles including Interview, AnOther, i-D, Dazed and CNN Style, among others.

examines a catwalk image, he flips the picture upside down, producing a better comprehension of the clothes. For costume designer Loredana Buscemi, a similar exercise was introduced while she was studying. ‘I can’t remember details, but they encouraged us to draw upside down to develop the right lobe of the brain,’ she says, speaking via a translator.

Further revived by cinematographer Hélène Louvart, variously on 16mm, 35mm and Super 8 formats, the suit is an effective narrative device, exposing Arthur’s foreignness – the director has previously observed that he could even be a ghost – and more straightforwardly disclosing the group’s trade by highlighting dirt. ‘Josh tried it and it was his exact size, which is incredible – he's got a very specific physique,’ Buscemi continues.

The character Spartaco, who provides another through-line in the director’s universe , perhaps best exemplifies the mechanics of colour infind, her yellow shoulder pads speak to Italy’s modernisation and the direction of contemporary style. ‘The yellow denotes a strong character, and was also very fashionable in the 1980s,’ says Buscemi.

Envisioned by creative director Anthony Vaccarello, Saint Laurent Productions will work with directors including David Cronenberg, Paolo Sorrentino and Pedro Almodóvar – with the last’s short film premiering this May at Cannes Film FestivalIn celebration of the Lunar New Year, Jess Jing Zou has worked with Bottega Veneta on a short film, marking the annual homecomingInspired by an ornate Dior pump from 1962, Maria Grazia Chiuri’s just-released ‘62-22’ shoes give the classic design a...

 

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