) to investigate a 25-year-old mystery in the eponymous Irish town. The reluctant partners clash on everything, not least of which is that Dove thinks they can, and should, find out what really happened in Bodkin back in the day.
“Have you ever listened to a podcast where they actually solve it?” Gilbert asks, incredulous. “I need diversions. Red herrings. Human interest. The stuff that peopleGilbert isn’t wrong that true crime podcasts almost never close the case independent of law-enforcement. But his belief that the audience only tangentially cares about the mystery itself is one seemingly shared byitself.
Podcasting is a professional arena that movies and television have had a mixed track record of fictionalizing in recent years.works because it’s an explicit parody of true crime podcasts, and because it’s clear throughout that the podcast is meant to be terrible. Often, though, stories about fictional podcasters feel like they’re made by people who recognize that the medium is popular, but don’t quite understand why.
On the other hand, Forte gets to dial back the silliest aspects of his performance over time, as we discover that Gilbert’s real life is a lot more fragile and complicated than the persona he projects when he’s in front of a microphone.
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