Justice’s Hyperdrama: The French duo’s first new album in eight years is nowhere near as bold as its title suggests.In the mid-2000s, there were few acts cooler than French duo Justice. Their infectious remix of Simian’swas inescapable for at least three years and was both an anthem and exemplar of nu-rave, the dance-indie-rock fusion genre that thrilled young millennials and introduced pub-dwellers to the pleasures of club music.
Justice was a punkier Daft Punk, indisputably influenced by the French pioneers but with a spikier attitude and more guitars. They came up around the same time as uber-hip French record label Kitsuné, but were the flagship act for the edgier Ed Banger records, helping to shape its abrasive sound and a massive underground following that eventually went mainstream.
By 2009, however, in spite of two Grammy nominations for their debut album and one win for their remix of MGMT’sAudio, Video, Discoweren’t bad, necessarily, they just weren’t nearly as vital and brazen as their 2007 debut,, arriving eight years after their last studio album, has new challenges to meet and new audiences to attract.
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