The Big Picture 2023 will likely go down as one of the most exciting years for cinema of the century. Headlined by the double feature that took culture by storm in Barbie and Oppenheimer, the year featured a plethora of artistic achievements from some of our most beloved filmmakers. Movies and the theatrical experience, if only for a brief period, leaped back into the monoculture for the first time since the pandemic.
In some form or another, we all share a kinship with Hirayama. Working unglamorous and dead-end jobs is a facet of life. In the character's case, cleaning the city's public toilets, as chic as they look onscreen, is perhaps the grimiest line of labor imaginable. Hirayama's work is so thankless that any time an individual needs to use the restroom, he must drop whatever he's doing and rush out the door as they take care of business.
Perfect Days is a beautiful expression of the every day because Wenders identifies soothing comfort in Hirayama's recreational life. His methodical approach to eating lunch on a park bench, photographing trees, and patronizing a bar is shown with the same tonality as his morning routine and work procedure--it feels like another day at the office. Because Wenders patiently follows Hirayama through the beats of his unenviable social and economic status, these leisurely moments are gratifying.
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