Naveriani continues, “What I like in Etero, and what I’ve also tried to think about in my work, is that she loved someone. Of course, she heard it’s not OK – you can’t love a woman if you’re a woman. She was blocking it. Maybe she felt something, and was like, ‘No, it’s scary,’ and eliminated it right away. What’s beautiful in her is that she went through a lot of emotional states, and couldn’t feel things because of the outside world. But now she’s finding herself.
” As for wanting the film to be sex-positive, Naveriani takes a while to formulate her answer before wishing to clarify her response. “She enjoys her own solitude,” the director says. “But it doesn’t mean she doesn’t need to be loved, touched, or talked to. We’re talking about a female body that doesn’t fit into beauty standards, and has aged ‘out of date’.” The director pauses, wondering if they’re addressing my question. “It feels positive for me because it was always a part of her life.
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