It’s not uncommon for directors to have a “this one’s personal” story they want to tell, though more often than not it’s a first film, not a fifth. Well, sixth, if you count 2014’s, which David Leitch co-directed with creative partner Chad Stahelski, but DGA rules meant only one of the two former stuntmen could get official directing credit.
How broad? Romantic-comedy fans should flock to this thing. The genre is so moribund, at least theatrically, that an emphatically meh film likeis ribeye compared to that film’s ground round, even if the rom-com beats are smuggled into the main directive of big action.
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