but none more than the existence of bacteria. Thoughts of these microorganisms — the ease with which they can infiltrate a body and the chances of infection — plague her. She worries about a wound on her left middle finger, a slit in the skin she can’t let heal. Picking at the sore relieves her obsessive thought spirals, but it also activates a new round of worries about contamination, disease and the impossibility of safety.
But the obsessive thoughts never stay quiet for long enough. They hum in the background of her budding relationship with Davis, whose character struggles to escape the one-dimensionality of the Boy Next Door prototype. Mallard sheds the downbeat misanthropy of his character infor a more sensitive and nurturing posture here, but despite the actor’s best efforts and real chemistry with Merced, Davis is essentially a one-note character.
Conversations between Aza and her psychiatrist help us better understand the push and pull of the teenager’s condition. The resolute doctor urges Aza to take her medication, talk more about her father’s death and take therapy seriously. But Aza is resistant and, at one point, confesses that the pills make her feel too subdued. These sessions give the teen’s later attempts to cleanse herself by swallowing hand sanitizer a poignant desperation.
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