The ancient classic “Antigone” is rich with moral quandary, as the titular character nobly faces the prospect of death to do what she believes is right: honoring her brother with a proper burial. But as Adil Mansoor deftly observes in his one-man show “Ammgone,”
Style is where The Washington Post covers happenings on the front lines of culture and what it all means, including the arts, media, social trends, politics and yes, fashion, all told with personality and deep reporting. For more Style stories, Mansoor’s meta production , which in a brisk 80 minutes chronicles what happens when he and his mother decide to translate “Antigone”
Language and theater nerds will delight when Mansoor briefly dives into Sophocles’text, at one point using a projector to compare how three different translations tackle a key exchange between Antigone and her sister Ismene. In another scene, an audio recording shows his mother astutely unpacking a particular line reading from, inferring that the actor’s interpretation reveals she doesn’t actually believe in the morality of what she’s urging her sister to do.
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