LKM: How did the image on the cover of the album artwork come into being? WT: It was an experimental performance on a building site. We used this silvery agricultural fabric from America which I have used in my work since 2016. It’s for areas with intense heat and sun to protect agricultural plants from burning. So, it has this climate-controlling quality and it’s very theatrical and super attractive. I ended up performing in it, without an audience, but with Michael filming me.
At best it has this freedom which people feel because it includes them, there’s the sense of ‘I could do that, this could be my set of eyes, I’m included in this perspective’. LKM: How do you feel about performing and how important is that to you? WT: I’m incredibly happy that I played live from 2016 to 2019, including at the BOFFO Fire Island Performance Festival. It was a really important formative experience to listen to five other musicians, and to play in tune and in sync with them.
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