drama and tortured love triangle. It virtually glistens off of the two male players competing to win — on the court, off the court, in the bedroom, during a sauna psyche-out in which one of them is kindly asked to put his dick away — and glides off of every inch of their toned physiques. Massive droplets drip off their noses, down their necks and arms, fall right onto camera lenses looking up at them in loving close-up.
Rewind to two weeks earlier: Art is drowning in endorsements and greatest-hits clip reels, but he’s in the middle of an epic slump. He’s taking on all comers, but his head is elsewhere and his heart is anywhere but in the game. Tashi — his coach, his wife, the mother of their child and the one who signs off on ad campaigns, among other things — is not pleased. So she enrolls Art in this rinky-dink event so her husband can get back on track. He can regain his confidence on the court.
Long story short, they introduce themselves to Tashi, they all end up in the gents’ hotel room after hours, andmakes good on the inherent promise that three… it’s a magic number. Guadagnino has never been shy when it comes onscreen intimacy, withbeing only the most obvious example of many; depending on your point of view, the Italian filmmaker has either been the best or the worst thing to happen to the peach-growing industry.
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