, a painting created in 1990 that was then photographed. The resulting images were manipulated digitally on a software programme, before being divided into strips, which were stretched and laminated onto aluminium, and covered with Perspex. Here, Richter revisits this mixed-media approach, casting striped ceramic tiles on panels in a cross-section that invites visitors inside in a play on patterns, repetition and reflection.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inboxHannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat design trends and in-depth profiles, and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers, viewing exhibitions and conducting interviews on her frequent travels.