. It sounded like a fun proposition. An updating of the old Lee Majors TV show, the movie stars Ryan Gosling as the veteran Hollywood stuntman Colt Seavers, who comes out of retirement to work on a big-budget sci-fi epic calledThis schlocky film-within-a-film is being made by first-time director Jody Moreno . Jody and Colt have a romantic history. Colt wants to reignite their relationship. Jody doesn’t.
The star of Jody’s movie is the obnoxious Tom Ryder . When Tom suddenly goes missing during the shoot, Colt gets the job of finding him. If he can locate Tom and savewas shot in Sydney, so we can watch the action unfold in a series of familiar locales. There’s a, an all-in brawl in front of the Opera House, vehicular mayhem on the streets of Milsons Point. What’s not to like?But Pearce’s script is thin on wit. Worse, it’s lacking in basic craft.
He also struggles to control the movie’s tone. Ideally, a film like this should hero the action and deploy the laughs judiciously, as a kind of seasoning.tries to hero the comedy. Its approach is insistently slapsticky and broad, as if big laughs, like a big stunt, can be achieved through simple physical application.
Maybe the studio figured if you’ve got Ryan Gosling, you don’t need a first-rate writer or director. After all,was written and directed by the genuinely witty Shane Black. In a Black film, the good lines keep coming. InNor does Emily Blunt’s Jody bring much to the alleged party. Blunt’s role is overwritten and underwritten. She’s given plenty of lines, but few of them transmit any clear sense of who her character is meant to be.
It never does. Blunt and Gosling are a dud pairing. The only sparks that fly come from smashed-up automobile parts scraping against roads.
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