Who’s torturing who here? Sorry, sorry. That isn’t the freshest zinger to zing in the direction of this sprawling new, but please know that after funneling 19 of its 31 tracks through my headphones on Friday morning, my phone died, as if by its own volition.
As a 21st-century pop omnipresence, Swift remains mercilessly prolific and unwilling to edit for length, which makes this extended version of her new album, “The Tortured Poets Department: The Anthology,” feel miserable and bottomless. The big surprise is how much of that misery is intentional.
That said, is this the album that finally grants us societal permission to say that Swift is not a great lyricist? She can be, sometimes, but greatness isn’t a part-time job, and the thinning thinness of her words can make big emotions feel hollow. Plus, the objects of affection that populate these midtempo reminiscences all sound like real creeps.
Style is where The Washington Post covers happenings on the front lines of culture and what it all means, including the arts, media, social trends, politics and yes, fashion, all told with personality and deep reporting. For more Style stories,Hmm, why did I want to live in the slavery era if I’m not— but Swift almost always steps back into the shallow end, dulling her ideas with reflexive clichés. Lightning appears in bottles. Wrinkles appear in time. Ships are abandoned or gone down with.
She hasn’t been an anonymous human being since she was 17, and in terms of her art, many of her horizons seem to have stopped right there. It helps to explain why at least three songs on this double album take place on playgrounds; and whyis set at a high school party . It’s probably why her songs rely so heavily on the make-believe concepts of destiny, and prophecy, and fate. She has not lived a normal life. She doesn’t make normal choices.
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