aking a movie about an iconic musician can be perilous – there are so many stakeholders with differing versions of events, and so many diehard fans looking for a perfect representation of their hero, that many music biopics end up being sanitised and glib. Look no further thanMovies about fake musicians, on the other hand, tend to have a lot more to say about making art, the struggles of fame and the music industry than most biopics.
There’s a lot to love about the fourth Star Is Born remake – good songs, a dry sense of humour, Lady Gaga’s luminous debut film performance – but it’s just as worth watching for its complex, discomfited, ultimately unresolved attempt to reconcile celebrity and artistic achievement. A Star Is Born’s position on pop and fame is not as clear-cut – and anti-pop – as it may seem on first viewing, which is what makes it so fascinating.
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