The year is unspecified—it could be a few years into some alternate future, or it could be right now. The president, a clean-cut establishment type played by Nick Offerman, is unnamed, his party and political affiliations unclear . And the precise nature of the domestic conflict that has torn the United States apart and turned the nation’s major cities into zones of open warfare is unexplained. In), the details about why and how America collapsed into violent chaos are immaterial.
One thing Garland’s at times frustratingly opaque script does go out of its way to clarify is that the ideological fissures in this alternate version of America occur along different fault lines than the ones that remain from the country’s actual civil war. The main threat to what we’ll call the Offerman administration is the secessionist group the Western Forces, a Texas-California alliance that’s intentionally impossible to extrapolate from our current red state–blue state split.
Cailee Spaeny), an aspiring photojournalist in her early 20s who idolizes Lee’s work but has no experience in war zones. Bringing along the stowaway Lee disparages as a “kindergartner” will only, she argues, put all of them in even more danger. These doubts turn out to be justified: The presence of Jessie, a live wire with a penchant for unnecessary risk-taking, makes the journey to D.C.
“What kind of American are you?” Plemons’ fatigues-and-pink-sunglasses-clad character asks the journalists one by one as he terrorizes them at gunpoint in the movie’s scariest and most successful sequence.
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