‘While she plays in a desert sandbox of Americana, blues and gospel traditions, her voice doesn’t fall into the trap of affected accents or cultural mimicry’ … Grace Cummings.‘While she plays in a desert sandbox of Americana, blues and gospel traditions, her voice doesn’t fall into the trap of affected accents or cultural mimicry’ … Grace Cummings.
Over blaring brass on Everybody’s Somebody, Cummings excoriates a romantic partner with a delivery approximating a withering eye roll:If you miss him so much? Following her first two albums, Refuge Cove and Storm Queen, Ramona is Cummings’ most accomplished yet, adorning her voice’s devastating force with a deep, velveteen richness. It feels massive in many ways: a tidal wave of emotion, thick instrumentation and operatic bombast.
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