Director Blazey Best walks into Matinee Coffee in Marrickville looking every inch a woman in her charge of her destiny.about a young English woman who arrives in New York in the late 1970s looking for love and a purpose in life, often in all the wrong places.
“It’s only within my lifetime that my Mum could apply for a bank loan without a note from her dad or her husband,” she says. “Career options were far more limited for women. They enjoyed far less freedom and independence. Finding the right man wasn’t the only option, but for many women, it was the expected way to move ahead in your life.”at Belvoir Street Theatre and in Norway, has given Best a finely honed eye as a director as well as the courage to take on gritty subjects. She has appeared in“I love how collaborative the whole process is,” she says.
“Things have changed vastly for the better,” she says. “Thanks to the agitators and activists who came before us, it’s a different world to what it was 40 years ago. But we still have a way to go.
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