back in late 2019, after spending nearly six decades making politically critical neorealist films. This is both the least expected sentiment anyone might expect a filmmaker to express, and a characteristically honest bit of introspection from one of cinema’s most honest directors. He’s right: A movie on its own won’t change the world.
This is classic Loach. His movies typically force viewers to acknowledge the toll a job can take on both body and spirit. Without fuss or forced moralizing,performs this service for the folks who thanklessly zip about town dropping off parcels ordered yesterday by people who actually needed them a week before.
It’s all an illusion, of course, and the economy of Laverty’s writing succinctly lays out the tension between Ricky’s ambitions and the crushing realities of the position he’s sought out. The gift of personal determination Maloney offers him is a Trojan horse containing seeds of poverty. The way this job works, every package Ricky hands off is another row sown in his inevitable destitution. It’s sick. It’s barbaric.
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