Problem is everywhere in television these days. Too many series now treat their entire first season as a premise pilot, requiring six to 10 episodes before they can get to the story their creators actually want to tell. Occasionally, audiences are willing to be patient, as we saw whenfor the civil war within House Targaryen. More often than not, though, shows that take forever to get to the point don’t stick around for very long.
This is just trickeration for its own sake, and it’s counter-productive and annoying. The resolution of the mystery becomes an afterthought, while the reality of whatis doesn’t get enough room to fully get up to speed. The two concepts could work together very well, with this star, this ensemble, and this much care given to the look and feel of the world. But they have to be allowed to co-exist, rather than one being held in reserve for weeks and weeks, all in favor of a one-shot burst of WTF.
When I get to the end of one of these premise-pilot-style seasons, I try to be hopeful about the intended ongoing version of the series. That optimism is sometimes rewarded . But often, these kinds of shows don’t get second seasons because viewers rightly grow impatient. And the ones that do return tend keep on dragging their feet, as if they’ve gotten too used to moving slowly. The separate, conflicting parts ofare interesting enough to once again make me a hope-watcher if it comes back.
Just let Dracula surf, guys. Please. People want to see the show you are trying to make, not an endless warm-up for that show.Chance Perdomo, 'Gen V' and 'Chilling Adventures of Sabrina' Star, Dies at 277 hours ago
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