Appreciating high-end automotive art on the wall is as satisfying to some collectors as keeping a valuable bit of metal in the garage.
Take, for example, Roger Kurtz’s multi-dimensional view down the road in “Double Underpass,” or the severe, angular interpretation of the Standard gas station from pop art iconographer Ed Ruscha in 1966. The display is divided into five sections: Vehicle Concepts, Sign Language, At the Pump, Highways, and Street Art.
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