the selection of 28-year-old Finnish conductor Klaus Mäkelä as its next music director, beginning with an initial five-year tenure in September 2027.
And last week, another acclaimed Finnish conductor, Esa-Pekka Salonen, announced his resignation from the San Francisco Symphony, also after three years, citing irreconcilable differences with the orchestra’s leadership. “I do not share the same goals for the future of the institution as the Board of Governors does,” he wrote in a statement.
To some, Mäkelä’s packed schedule suggests he’s a passing fancy, a comet getting mistaken for a star. Worries abound that he is inexperienced, overcommitted and, as a result, underinvested.
On a cynical-slash-practical level, Mäkelä’s appointment could be seen as an organization in an ailing classical landscape boosting its mobility by hitching itself to a rising star. More generously, the move could be seen as a historic orchestra investing in its future by embracing young talent.Such a tack worked for the Los Angeles Philharmonic, which controversially brought Dudamel on at age 28.
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