In an entertainment landscape dominated by intellectual property franchising made at increasingly higher budgets, it can sometimes feel like fresh storytelling ideas are considered too risky to be properly told, that only those films with majority mass-market appeal ever have a shot of finding their audience.
Of course, for those who pay attention to the periphery, there is always an artist working at the fringes to provide a fresh perspective, a spirit that writer-director Vera Drew and her collaborators exemplify wholeheartedly in their DC Comics parody The People’s Joker. Bursting with DIY creativity, a casual observer might think this is simply a fan project spearheaded by a marginalized creato
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