. In his eighth feature, Anderson incorporates real history into a surreal land, pulling off his boldest setting yet. The story takes place in the fictional country of Zubrowka—a shaken snow globe of cartoonish characters and lavish architecture made even more whimsical by Anderson’s effervescent use of color and symmetry. Upon closer inspection, Zubrowka isn’t just a wondrous escape, but a parallel to mid-century Eastern Europe on the brink of World War II.
The exterior of the Grand Budapest, as well as the film’s recreation of Switzerland’s Sphinx Observatory, are not multi-story buildings, but handmade miniatures. The stylized, pastel blue and pink model contrasts the curvilinear interior, which was built as a set, inspired by an old department store in Gorlitz, Germany.
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