The point that Martin is making stems not from some Benjamin Button-style anomaly, but from his contention that he has gone from being riddled with anxiety in his 30s to achieving contentment and happiness in his 70s.While I would posit that this isn’t all that remarkable — “Finding wisdom and peace with age” seems ideal and not unusual — there’s truth to Martin’s bigger point.
The 95-minute “Now” looks at Martin’s life, well, now. It follows his post-stand-up career and his personal maturation, examining Martin as a movie star, husband and father, as a humorist and an art collector, plus his return to the stage as part of a beloved comic duo with, Morgan, it’s not like you reinvented the wheel.” But “Then” and “Now” are wholly separate, except that they’re also companion pieces.
But understanding the purpose is not the same as enjoying the product. “Then” isn’t very good, but it’s never bad, almost entirely because the footage at Neville’s disposal is reliably exceptional. The clips of Martin’s earliest stand-up appearances and the opportunity to watch his voice come into its own are a pleasure.
“Now” immediately plants its flag as something more amusingly mellow, as an on-camera Martin starts the film making poached eggs on toast and admitting to how boring this must be as entertainment. He’s wrong. It isn’t boring at all being embedded in Steve Martin’s current life. It’s just soft and sentimental and reflective, in contrast to the cacophony of “Then.”
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