. They are drastically different projects — one folkier and experimental, while the other leans Americana. But after listening to both for weeks, I find them to feel oddly complementary, like a showcase of two poets at the top of their game.was an exercise in spontaneity and collaboration.
, which swapped indie rock for wind-blown banjo and pedal steel guitar, centered on how she was able to harness the breeziness of the genre as her lyrics blazed with details about her rocky transition into sobriety. Her latest continues that sound but is not so thematically turbulent : She’s now singing about more quotidian things, such as codependency, the constant rekindling that goes into enduring relationships, the ends of a friendship.
But perhaps it’s a testament to both artists’ assuredness in themselves, their visions, and collaborators that they were not only able to create music, but albums that feel like the purest distillations of their craft. Lenker’s songs, which have always felt like heirlooms, sound all the more precious in their imperfect glory on. Meanwhile, Crutchfield’s songwriting, now out of the shadows of turmoil, feel all the more resonant.
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