Pair Giant Robot's Asian pop culture exhibit with artist-approved Little Tokyo spots

In 1994, Eric Nakamura launched a zine he dubbed Giant Robot, a photocopied, hand-stapled fanboy’s ode to manga, anime, Japanese punk bands and skateboarding. Thirty years later, what started as the personal hobby of a self-proclaimed outcast has transformed into a bastion of pop culture centering Asian American and Asian artists. With “Giant Robot Biennale 5,” on view at the Japanese American National Museum through Sept. 1, the West L.A.

“I just wanted to be as ‘normal’ as possible. With Eric and Giant Robot, there was an element of a healthy amount of pride — not sweeping under the rug our ethnicity and history, but actually being able to highlight it.” Back in the early ‘90s, that was Nakamura’s mission — to reach other young Asian American “underdogs” who shared his interests but didn’t see themselves represented anywhere in print. “If you look at the very first issues, identity is a big deal,” Nakamura said.

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Grab a pair of cheap solar eclipse glasses with this excellent deal on AmazonOrla is an NCTJ-trained journalist with a background in beauty, lifestyle and technology commerce journalism and has worked for leading titles such as The Mirror and MailOnline. In her spare time, she enjoys visiting art exhibitions, buying clothes, and creating and accomplishing bucket lists of things to do in London. (orla.
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