MUSIC: Lainey Wilson kicks off her Margaret Court Arena show with a shoey“Y’all ready to have a dang good time tonight?” Lainey Wilson is a dyed-in-the-denim country show-woman. She plays to the crowd, hard – stalking the stage in fringed flares and a big hat, shufflin’, swingin’, kickin’ off the show with a shoey in a cowboy boot.“We call it a holler an’ a swaller,” she says, downing the beer to uproarious applause.
, but they’re predominantly women’s stories: Hardy’sis cowboy romanticism with feminine power – “I’m four-fifths of reckless and one-fifth of Jack / I push like a daisy through old sidewalk cracks”.was a cover for a satanic cult. It was worse than that, of course. For many, role-playing was a road to the performing arts.
It’s no surprise to find RPGs probing the porous border between games and art. These games are inherently theatrical – the Game Master may be likened to a writer/director, the players actors – and they offer, within a structure of improvised collaborative storytelling, what is essentially a style of participatory performance.uses tabletop role-playing to gamify everyday life. Audience members are randomly selected to play the game, while the rest of us watch.
Watching people role-playing live is more interesting than it sounds. It’s more popular, too, if the success of YouTube and Twitch streams such asCertainly, Rangi makes a dream Game Master: witty, eloquent, with an easy charisma and an endless supply of nerdy in-jokes.
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