10 Best Vincente Minnelli Movies, Ranked

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Jeremy is an omnivore when it comes to his movie-watching diet. He'll gladly watch and write about almost anything, from old Godzilla films to gangster flicks to samurai movies to classic musicals to the French New Wave to the MCU... well, maybe not the Disney+ shows.

With a particular knack for directing musicals, romantic dramas, and comedies, Vincente Minnelli was one of the most acclaimed and consistent filmmakers active during the Golden Age of Hollywood. His earliest films were released near the start of the 1940s, and he continued to work steadily until the start of the 1970s .

It's also a film that contains some awkward moments and a few even more awkward songs, but Gigi is at least presented extremely well and can prove worth watching for the aesthetics on offer alone. It’s a well-directed and well-shot movie that narratively doesn’t exactly hold up, but it’s not a total misfire and clearly had an impact on people back in 1958, so for those reasons, it is worthy of some recognition.

Beyond being a biopic, Lust for Life is also a bit of a melodrama and all feels quite heightened, but given Vincente Minnelli movies often use color strikingly, that bold approach works for a movie about an artist and their sometimes colorful work. There have been better biographical films made since Lust for Life, and maybe a few better ones made before, too, but it’s overall well-done and certain aspects of it hold up pretty well.

Meet Me in St. Louis is perhaps best remembered for starring Judy Garland in one of her most iconic musical roles, and she and Minnelli ended up getting married the year after the film came out. It’s a good one overall, and it’s pretty easy to call it essential viewing for anyone who likes old-school musicals yet has somehow missed checking it out already.

A strange sort of bond develops between the two, all the while the young student deals with increasing emotional turmoil and isolation in other areas of his life. It was likely alarming for audiences back in the 1950s, given it’s still a movie that feels heavy nowadays.

 

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