The final series of The Crown has been nominated for eight Baftas whether they had released new music or not. For years, it was a standing joke that, irrespective of modern trends, the likes of Kate Bush and Annie Lennox wouldThe Crown
has reined supreme at the annual ceremony, and with good reason: it featured the best writing and some impeccable performances, each kept aloft via the most compulsive plotlines because – well, you know, the royals? They’re crazy!in a cloud of soapy confusion, it nevertheless remained – according to the judging panel, at any rate – the shining jewel in our televisual listings, garnering more nods than anything else.
his Prince Charles being far less impressive than Josh O’Connor’s before him. The fact that the series itself doesn’t feature among the line-up for Drama Series is perhaps indication of Bafta coming to its senses.and Matthew McFadyen, the latter putting in a performance of dizzying genius – there is no Jeremy Strong, and no Kieran Culkin orWe’ve a tricky relationship with TV police procedurals. There are just so very many of them, and they’re all essentially the same: good cop, bad cop, car chase, biff bang pow, “no comment”.
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