is no different. But that style is an anti-style: if anything, the ultimate anti-style. This time, Keating delves into mumblecore – or, more specifically, its horror-tinged subset, mumblegore.and stars as the unnamed title character. He doesn't simply break into houses. He invades them, occupies them, destroys them, and leaves nothing but carnage behind. He’s a predator wasp who kills a whole beehive and tears it up on the way out, and Keating opensin the middle of that destruction.
The target for that inevitable violence is Ana , a woman visiting her cousin and her parents in suburban Chicago. A theatre veteran in her first leading screen role, Maynez fills Ana with the dread of a newcomer to a strange and threatening town. She rolls into Chicago on a late-night bus and is instantly bombarded by an omnipresent soundscape of sirens, speakers, and screeching brakes.
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