The Big Picture I love movies, and I love moviemaking just as much. As someone who spends nearly every waking hour marveling at and celebrating the craftsmanship required to make a film, David Leitch’s The Fall Guy is a dream come true. Yes, it’s a crowd-pleasing romantic comedy thriller, but first and foremost, it’s one big-hearted ode to the artists responsible for movie magic.
The Fall Guy works on every single level. When the trailer first dropped, initially, I was overjoyed by the idea of getting a feature film that focused on filmmaking and stuntwork. However, when the trailer ventured beyond a movie set, I feared that once the main mission got underway, it’d teeter away from filmmaking and too close to a more traditional action movie narrative. I couldn’t have been more wrong about that.
This will come as no surprise given their expertise in this space, but Leitch and cinematographer Jonathan Sela are true masters of capturing action. The imagery is often downright stunning, the viewer’s eye is always exactly where it needs to be, and they also appear to know just how much to capture in camera in a single shot.
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