After the film's title fades to black, writer-director Jonathan Glazer makes his audience sit in the dark for more than two minutes as the dissonant wash of Mica Levi's score surrounds them. The movie is based on a fictionalized version of Rudolf Höss, the Nazi commandant of Auschwitz.
The production meticulously rebuilt Höss and his wife Hedwig's house in the shadow of the camp's walls.
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