‘Everything he makes is delicate yet tensile, light but profound’: Haunting Home, 2019, thread embedded in handmade cotton paper. © Do Ho Suh, courtesy of the artist, Lehmann Maupin, New York, Seoul and London, and Singapore Tyler Print Institute‘Everything he makes is delicate yet tensile, light but profound’: Haunting Home, 2019, thread embedded in handmade cotton paper.
The Korean house reappears all the time. It is a balloon, lifting him up to the clouds. It is a dream in the wind, or a harness attaching him back to the past. The rainbow threads, laid into the soft cotton paper when wet, stream from him or tangle him up in their glorious colours, embodiment of the very idea itself.My Homes, 2010.
But the works for which Suh first found fame relate to the brownstone building in Manhattan, where he lodged for several years. There is a marvellous image ofin this show: precise as a blueprint, and indeed stitched in translucent blue fabric on the page. Behind it lies a great tangle of coloured silk threads, which at one point hold the vestige of a figure – the shadows of everything that happened there.
And right at the centre of Tracing Time, which fills the whole of the enormous ground floor at Modern One, is a lifesize installation of homes within homes within homes. All is created in transparent coloured fabric that defines the halls, corridors and doors of Suh’s successive apartments, including his present home in London, making them effectively material in every sense, yet as weightless as air.
Entertainment Entertainment Latest News, Entertainment Entertainment Headlines
Similar News:You can also read news stories similar to this one that we have collected from other news sources.
Source: 7NewsAustralia - 🏆 11. / 71 Read more »