'Timestalker' Review — Like If 'Past Lives' Had Gore and Dildo Jokes

The Big Picture In Alice Lowe's sophomore feature Timestalker, love is life and death. Like, a lot of death. Also, it's laugh-out-loud funny. Those who've seen Lowe's fantastic prenatal slasher Prevenge already know the filmmaker has a knack for blending pitch-black humor with deeply personal emotions. Timestalker is no different. It's like if Past Lives was far bloodier, depicted reincarnation, and made 1700s dildo jokes.

Lowe's premise may be zany, but her execution holds together generation-skipping storylines. Hollywood blockbusters help us believe in destiny, that we'll find our Jennifer Aniston or Gerard Butler someday. Timestalker is, in glimpses, a commentary on how escapism informs real-life fantasies, delving into psychiatric discussions about "Erotomania Delusions.

'Timestalker' Is a Visually Inspired Delight The film's visual composition and photography are equally inspired, as Valentine-pink hues are a repeated accent. Lowe begins by showing us a 3D-printed heart torn from The Legend of Zelda, and pink becomes Agnes’ signature highlight.

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