hen Anne Imhof won the Golden Lion award at the 2017 Venice Biennale for Faust, she went from little-known performance artist to “the future of art” overnight. Even if the protagonists of Faustbeyond strumming guitars, crawling around under a specially constructed glass floor and standing about looking sulky, you still got a potent sense of witnessing the birth of a new kind of angst-ridden romanticism for the social media age.
Imhof is correct. That is a beautiful ass.
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