“Dune” and the Delicate Art of Making Fictional Languages

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Manvir Singh on the alien language spoken in Frank Herbert’s novels, which carries traces of Arabic, and why that influence has been scrubbed from the “Dune” films.

The scene fills barely a few seconds in a three-minute trailer, yet it establishes the emotional tone of the film and captures the messianic fervor that drives its plot. It also signals the depth of Villeneuve’s world-building. Part of what made his first excursion into the “Dune” universe such an experiential feast was its vivid, immersive quality, combining monumental architectural design with atmospheric soundscapes and ethereal costuming.

Creating something new might have made sense for other projects, but, as fans will surely inform you, language functions differently in “Dune.” Written by Frank Herbert, and originally published in 1965, the novel recounts how noble houses compete to control the desert planet Arrakis , the only source of the most precious substance in the universe.

 

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