Most of what I cover here on ScreenCrush are blockbusters. These are the movies with the biggest budgets in history. And yet lately, I find that more and more of them look downright bad.
We didn’t know at the time what the outcome would be at the box office. It was a difficult time. We were against Covid. We were against a day and date release in the United States. It was really a difficult environment to bring a movie to the world. But I knew Legendary were really passionate about making a second one. So let’s say that once they saw the finished movie, the chances I was going back to Arrakis were high.disaster to pull the plug.
First of all, I work with amazing cinematographers. And we embrace nature and study nature and natural light. And we make sure that we shoot as much as possible on camera, so that the VFX will be embedded int the nature, and that we are not trying to distort the natural light, distort the natural environment. We’re trying to embrace nature as much as possible., both movies. And of course I work with masters at visual effects.
There is a little recap at the beginning, but I tried to keep it as minimalistic as possible. That was the plan since the screenplay, and it didn’t change.I will say, that’s a good question. As a screenwriter, I tried to tell one story. But as a director, for me, was a different animal. It was something much more muscular, with more speed and more action. And there was something more playful about Oh it would be too long and boring for your reads to explain it all.
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