Spring is in the air, which means global art world denizens are coming out of hibernation and preparing for the season’s spate of fairs—. March is particularly rich with promising new museum exhibitions, and while you’re jetting between openings, don’t forget to pack a book about a legendary collector that may remind you the more things change . . .Emma Stone’s Charming L.A. Bungalow Sells in a Bidding War for $4.
In this thoroughly researched biography, author Natalie Dykstra depicts a woman raised within the strictures of 19th-century New York society and married into the even more hierarchical Boston social order who managed to redefine the role of benefactor.
Gardner lived out her final decades atop the museum, deciding where each artwork be installed, mandating in her will they were never to be moved. She oversaw every detail, even dictating that a swatch of a favorite House of Worth gown be displayed beneath Titian’s. Today, the frames from which thieves cut their loot still hang empty, the chance they’ll be made whole again fading with every passing year.
Her multidisciplinary path will be explored in a traveling retrospective, the first in over 20 years to highlight her oeuvre, kicking off with roughly 200 works atTakaezu and other forebears helped pave the way for the current embrace of ceramists such as Rose B. Simpson. On the heels of her show at the Whitney , the Indigenous artist best known for her haunting clay figures will be the subject of a survey at thein West Palm Beach, Fla.
With around 160 works spanning media and genres, the exhibition promises to be a far cry from the Met’s last attempt to explore the Harlem Renaissance, a 1969 show with ethnographic-style dioramas and a near-total omission of Black artists, which drew a cyclone of blowback. Emma Stone’s Charming L.A. Bungalow Sells in a Bidding War for $4.
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