In Moore’s seventh decade, her choices are becoming no less radical. This year sees her as another social climber, in the series Mary & George, a tale of Jacobean skulduggery based on the ruthless bisexual countess Mary Villiers, who rose through snarls of conflicting interests in the English court by engineering her son’s affair with King James I.
“It’s like I experience a blackout when I’m working. I do all this preparation, then you do it and it turns to dust. And I never really remember what I did. Because it takes a sense of being in the present to make it alive.” In those moments, some mysterious combination of left and right brain – the colossal imagination she’s able to unleash joined with the rigorous mind that tethers it – makes her as riveting to watch folding laundry as she is unravelling spectacularly.
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