pushed the dialogue between high-tech and high-art, creating a dress that paid homage to late 90s sci-fi. With computer chip, flip phone and CD embroidery, creative director Daniel Roseberry’s magical construction converted the walking analogue effect into the ultimate evening dress. Think “The Matrix” meets “Westworld,” he told Paris bureau chief Joelle Diderich.genius guest-designer series yielded yet another blockbuster collection, this time courtesy of English designer Simone Rocha.
Kim Jones also played to his strength — client-first dressing — with input from the chic women who surround him, including Silvia Venturini. In the case of the backless gown shot here, sheer panels mingle together with an asymmetric train, exuding old-Hollywood siren vibes from the 1920s.can always be counted on to inject a bit of fantasy as their legacy of unconventional couture is iconic, exemplified by this sliced-up princess silhouette, exposing a blush-hued corset structure underneath.
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