sitcom or drama from years ago tries to come back, I worry. The series that we love are so often a product of a specific moment in time for the people who make them, the characters on them, and the people watching. Change that moment, things start to feel wrong, and can even leave the audience questioning why they liked the original run in the first place. isn’t exactly like those kinds of shows, though the hosts and correspondents work with scripted jokes, and often play exaggerated characters.
, and other traditional news stalwarts. He delivered an appropriately incredulous acceptance speech. Night after night, Stewart took a scalpel to the hypocrisy and double talk of the people he was covering, whether they were newsmakers or people who claimed to just report the news. He wore his heart on his sleeve, struggling to get through his first episode after 9/11, and closing that show by putting a puppy on his desk, as the only thing he could think of to lift his and his audience’s spirits in that dark moment.
With Noah gone, the show spent a year of rotating guest hosts, mixing past and present correspondents like Wood and, Sarah Silverman, and Kal Penn.
any longer. Comedy Central has become an original programming ghost town, with most original product in the corporate family going over to Paramount+. And at a time when so many people now get their news — real and satiric alike — via social media, a polished nightly version of this risks feeling like a relic of a bygone era. If that’s the case, there’s something to be said for going full-circle-ish here.
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