The opening scene of season six of “The Crown” sees a man walking his dog under the light of the Eiffel Tower. It’s 1997 and a Mercedes car speeds past and ends in a horrendous crash in a Paris tunnel. The man’s dog is being recalcitrant and refusing to take its evening wee.
When “The Crown” debuted in 2016, the quality of the story lines, acting and impressive production standards were so striking that millions of viewers discovered the addiction of bingeing a television program; episodes would be viewed on a loop and toilet breaks would be delayed. Unlike the dog in the first episode of season six, however, I suspect I won’t be alone in being one of the viewers who found it quite easy to hop up and make cups of tea and trips to the loo throughout the four episodes of “The Crown’s” final season.Season six breaks away from “The Crown’s” formula of royal story lines that depict key moments in the monarchy’s private and public lif