Review: Akram Khan’s ‘Jungle Book reimagined’ is spectacular and frightening at Harris Theater. What if animals could talk?

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This is not Disney's “Jungle Book.' Touring dance theater work imagines a near future in climate crisis.

Scientists predict that by 2050, 80% of the world’s population will live in cities, forced inland due to rising sea waters and away from agrarian societies in search of economic opportunity. The globe is expected to reach 9.8 billion people by then, most relegated to megacities ill-equipped to handle the congestion. People move — toward opportunity, away from war and other imminent dangers like drought and food insecurity. Animals move, too, for many of the same reasons.

His “Giselle” moved the action from a provincial Rhineland enclave to Bangladesh, with the Rana Plaza garment factory disaster as a backdrop. “Creature” tackled Mary Shelley’s “Modern Prometheus,” a topic further explored in his solo show, “Xenos” . Unlike those, which aren’t explicitly companion pieces but sit within a similar aesthetic and approach, “Jungle Book” is something altogether new.

 

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